PR activity

Rankin and Palmer focus on breasts for Pink Ribbon Magazine

Grey Amsterdam’s campaign for Pink Ribbon Magazine (NL) launches this month, with magazine print work by celebrated photographer Rankin, and a TV commercial by Gorgeous Productions’ Chris Palmer.
 
Pink Ribbon Magazine NL, published by Sanoma Publishers, is a charity glossy magazine from which all profits are directly donated to the Pink Ribbon Foundation, Netherlands.
 071Everyone involved has donated their time free because it’s for breast cancer awareness. The campaign is created by Pieter van den Heuvel and Ecco Vos.  

Executive Creative Director Seyoan Vela, says:

“Everybody knows breast cancer is dangerous, that it should be taken seriously, that therapy and research need funding. Breast cancer, and the battle against it, is something that unites all women, no matter where they are from, how rich or poor or what culture.

Not only are all women potential victims, also almost all women know somebody that has had breast cancer or is currently dealing with it. In that sense, buying Pink Ribbon Magazine is a sign of solidarity.”
 
To see the print work, click here.

Grey Amsterdam has taken a new way of looking at the issue, through the eyes of uk photographer Rankin. The magazine print work sees three executions - each with the breasts of a model, either young, middle-aged, or older. A celebratory and poignant poem is written across the body, about the breasts. The breasts are seen as a pair of friends, with names, who should never be parted.10

The TV campaign is directed by Chris Palmer of Gorgeous Productions. A call was put out throughout the Netherlands, asking for women of any age to volunteer their services in the tv spot. More than 1000 women, aged 16-72, volunteered to be part of the shoot and show their breasts.

Click here to view the TV spot.

DAY Amsterdam designs Europe’s first Nike Sportswear store, Paris

day-logo1DAY in Amsterdam has designed the first Nike Sportswear store in Europe. The store, opened in Paris this month, is the first of a series throughout Europe launched by Nike Sportswear, a new division of Nike.

days-nike-sportswear-store-paris-2 

The new Nike Sportswear collection is based on timeless sports apparel and shoes, with a brand identity which includes images of classic gyms, well-used equipment, and urban environments. DAY’s brief was to push the existing US conceptual retail style further, using the location – an old bookstore in the heart of Paris’ Le Marais district – to influence the concept.

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Creative Partner, Gesina Roters, said:

“The heritage of the building itself directly influenced the concept development. The store had been left closed but intact for more than 40 years, so we were able to use traces of wear and tear - such as the floor, which had been repaired but not restored - to our advantage. The result is a store which balances heritage with a modern contemporary twist in sports performance.”

 

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As the first of its kind in Europe, the store is a high-visibility example of DAY’s creative business solutions and interdisciplinary design expertise.

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The retail and interior design concept for Nike EMEA is headed up by Creative Partner Gesina Roters and Managing Partner Louk de Sevaux, with Mette Hoekstra (design).days-nike-sportswear-store-paris-5

Grey Group EMEA appoints Hazelle Klønhammer as MD in Amsterdam

Grey Group EMEA completes the reorganisation of its Amsterdam agency today, grey_adamwith the appointment of Hazelle Klønhammer to the role of Managing Director. Formerly at 180, Wieden+Kennedy and Modernista! Amsterdam, Australian-born Klønhammer has an established track-record in successfully managing international business for creatively-led clients.

 

Working closely with Executive Creative Directors Colin Lamberton and Seyoan Vela, Klønhammer will be responsible for building Dutch business as well as extending the strengthened Grey offering to international clients. The no-silos, creative approach focuses on holistic soluhazelle-klonhammertions and flexible resourcing to meet the changing communications needs of clients.

 

Klønhammer’s strong track record for winning new business and re-positioning global brands is evidenced in her work as group account director at Wieden+Kennedy. Over a 10 year period she worked on numerous brands such as Nike, Heineken, Microsoft, Carlsberg, and the global launch of Vodafone. She was instrumental in setting up the agency’s digital offering and was responsible for winning their first digital client, Electronic Arts. Since leaving W+K 18 months ago, her senior management skills have been in play at Modernista! and 180. Prior to this, Klønhammer has also worked at Amirati Puris Lintas, Sydney, and TBWA Campaign Company.

 

Hazelle Klønhammer, Managing Director, says of her new position:

“It is the attitude of the people rather than particular categories or brands that is important to me. I like to work with people who are positive, highly motivated, fun loving and inspired by their work. I am a sucker for a good challenge. The Grey network has an exceptional reputation - with Colin and Seyoan in the lead I feel confident we can make Grey Amsterdam a creative powerhouse. And have some fun along the way”.  

 

The newly established team reports directly to Carolyn Carter, Grey Group EMEA CEO, with immediate effect.

 

Carolyn Carter says:

“With Hazelle onboard, Grey Amsterdam’s strategic-creative leadership balance is firmly established. Clients, both current and future, local and international, will benefit from her significant digital background and prowess in managing integrated brand solutions without a creative bias associated with a particular market.”

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Executive Creative Director, Seyoan Vela, continues:

“Hazelle has clearly demonstrated her ability to work across disciplines - her track record in developing digital business opportunities and working strategically with clients speaks for itself. Together, the management team will be concentrating on what we consider clients value – a strategic blend of focused, creative insight and integrated brand leadership.”

 

Lamberton and Vela, known for their pioneering work methods as co-founders and Creative Directors of St. Lukes, joined Grey’s EMEA team in London in 2007. They provided the creative muscle behind two successful regional wins, Toshiba and Fortis. In May 2008 they moved with the Fortis win to Amsterdam as Executive Creative Directors, to rebuild the agency as a new kind of creative resource for Grey’s local and multinational clients.

 

Grey Amsterdam’s client list includes GSK, Procter & Gamble, Unilever Nederland, Fortis Bank Nederland, Manpower, Fashioncheque, Abbot Nederland, Roche, Eli Lilly, Gemeente Lelystad, Mees Pierson and Stichting Nederland Schoon.

Van Gogh Museum appoints DAY for significant retail design

day-logoThe world renowned Van Gogh Museum on Amsterdam’s Museumplein has appointed Day Creative Business Partners for the design of its new lobby area and Museum Shop.

With more than 1.5 million visitors each year and home to the largest collection of Vincent van Gogh paintings in the world, the project, due for completion in September of this year, will be a high-visibility example of DAY’s creative business solutions and interdisciplinary design expertise.

DAY was established in 2006 by Dennis de Rond (Strategy Partner), Louk de Sevaux (Managing Partner) and Gesina Roters (Creative Partner). With offices in Amsterdam, Dubai and New York, the company combines creative thinking methods with brand strategy, interdisciplinary design and advertising as a key asset in business development.

Managing Partner, Louk de Sevaux, said:
“We worked with both the Van Gogh Museum and the Rijksmuseum in 2008 on the Museum Shop project, located on Museumplein. Based on our performance, the Van Gogh Museum brought us in to advise on internal retail design solutions. In line with the Museum’s first-class international renown, we’ve created an iconic, non-traditional design for both the shop and foyer.”

VGM logo diapositiefThe retail and interior design project for the Van Gogh Museum is headed up by Creative Partner Gesina Roters and Managing Partner Louk de Sevaux, with David Verburg (designer), Mette Hoekstra (interior design project leader) and Fleur Bos (project manager).

A cross between management consultancy, brand consultancy, advertising agency and design bureau, DAY services international companies and markets, including Nike (new retail concept and pilot shop in Paris), Bugaboo (event concepts and interior design), Orange (brand strategy and adaptation across all consumer touch-points), Ziggo (full retail business strategy and model, including store design), and the Van Gogh Museum. From Dubai, DAY is the preferred supplier in all aspects of brand and management consultancy for the DAL Group, the largest privately owned company in the Sudan.

Tailor-made media tours

Grey Amsterdam took advantage of Cannes Lions week to meet with more than 15 publications from around the world, including magazines, news sites, newspapers, blogs and creative archives from the US, Canada, Australia, Sweden, Germany, the UK and France.

In a special project orchestrated by FinchFactor, managing ECDs Colin Lamberton and Seyoan Vela spent a full-on two and a half days sitting on the terrace of the Majestic Hotel, in a marathon ‘getting to know you’ session.

All parties, drinking, sunburn and sandcastles? FinchFactor made sure time was extremely well spent introducing Grey’s creative muscle to - amongst others - Creativity Magazine, The Reel, Best Ads on TV and Campaign Brief.

Nursing a hangover? A bacon butty breakfast with the International Herald Tribune will have to do the job, followed by a lot of water and ice-cold Cola under a sunbrella with Campaign, followed by Horizont, and Ad Age, and then Boards Magazine.

Of course, we made sure our Grey guys had a few parties plugged into the schedule too. They worked hard - they deserved a reward.

Amsterdam in Business

dsc09855Thursday afternoon in Cannes saw the Dutch step aboard the magnificent Clipper for a rallying meeting between head honchos from the City of Amsterdam and the creative industry alike.

The City’s Amsterdam in Business team do a lot of work to promote the benefits of Amsterdam as a European centre of excellence for the creative industry. Their encouragement of companies to join the creative business community in Amsterdam has recently won successes such as TAXI Europe and Eurobest.

The meeting on the Clipper saw inspirational addresses from the likes of Paul Lavoie (TAXI), Alex Melvin (180), Peggy Stein (Bureau Pindkaas) and Phil Thomas (Eurobest). dsc09857

It says a lot that representatives from these companies, as well as Grey Amsterdam, Indie, BSUR, Woedend, Amsterdam Worldwide and more, are all willing to spend time working together to share wins, encourage connections and discuss opportunities, rather than work in ivory towers. Yes, there is healthy competition, but there’s also a lot of business out there in the world - and no one agency can win all of it.

dsc09854Colin Lamberton and Seyoan Vela, managing ECDs at Grey Amsterdam, let it all go to their heads and thought they could take the boat home with them.

Top creative talents have started Nothing in Amsterdam


nothing_04Michael Jansen and Bas Korsten, co-founders of Selmore, have opened new commercial creativity agency, Nothing, from a cardboard office.

Michael Jansen and Bas Korsten, highly awarded ex-DDB Executive Creative Directors and co-founders of Selmore, have officially started Nothing this week.

Nothing (www.nothingamsterdam.com) is an Amsterdam-based, independent entrepreneurial agency that delivers innovation and commercial creativity for local and international clients out of a cardboard box. Literally. The Nothing office, built entirely of cardboard, was designed by internationally recognized designers Alrik Koudenburg (concept & art-direction) and Joost van Bleiswijk (design & production) following van Bleiswijk’s ‘No Screw, No Glue’ technique.

Michael Jansen said:
“Nothing is about the power of ideas, about how a single idea can transform nothing into something. Using a cheap throw-away material to build a unique and memorable work space, seemed a good way to materialize this thought.nothing_10

Nothing’s goal is simple: turn consumers into brand advocates by any means to hand. This approach sees Jansen and Korsten creating meaningful brand experiences ranging from product innovation and store design, to employee training programmes and, yes, even TV campaigns.

Bas Korsten said:
“Technological innovation is developing at an amazing pace and so is the role of social persuasion, due to the wildfire growth of online social networks and blogs. At the same time traditional mass communication is being met with increased cynicism. This means that brand advocates are quickly becoming a brand’s most valuable asset”.nothing_15

Alongside Nothing is ‘Nothing Ventured’, the company’s in-house business concepts development arm. Nothing Ventured sees the likes of architects, industrial- and 3D- designers and online specialists come together to make their ideas happen. Current projects include an experiential measurement product, a web-based travel platform, an international webshop for young fashion designers and even a new sport, with all the accompanying commercial opportunities. These initiatives can be brought to market both as stand-alone ventures or to directly benefit clients.

nothing_20Australia-born Jansen (50) and Korsten (37) are one of the most successful creative teams in Europe, winning amongst others, the Eurobest Grand Prix and 11 Cannes Lions. They met in 1997 and became Executive Creative Directors (Board members) at DDB Amsterdam. They helped take the agency to ‘Agency of The Year’ status in 1999, 2001 and 2003 with pan-European clients including Volkswagen. In 2005 they co-founded Selmore with three partners and quickly gained a formidable list of clients including Unilever, Skoda Automobiles, Bavaria Brewery and Coca-Cola.nothing_23

www.nothingamsterdam.com
www.alrik.nl
www.projectjoost.com

Celebrated Dutch ad agency S-W-H becomes Indie in radical re-birth


indie-logoLeading Dutch ad agency S-W-H announces its re-launch today as newly-focused independent creative agency, Indie. The re-brand comes after 11 years, during which time S-W-H has proven itself to be one of the most respected, award-winning and successful agencies in Amsterdam.

Indie (www.indie-amsterdam.com) is launched at a high point in S-W-H’s history, which was named Agency of The Year in the Netherlands in 2008, recognising S-W-H’s creative talent and progressive campaigns.

The name Indie points to an independent status and an independent attitude towards creative concepts, one which embraces change, new opportunities, creative talent and the power of ideas. By looking at the fundamentals of clients’ needs, Indie’s intention is to create brand platforms focusing on creative and effective solutions without being restricted to any media channel.

Managing Partner, Mark Aink says:mark-aink-managing-partner-indie
“First instincts can sometimes lead businesses to seek what they know and try to maintain stability despite changes occurring within their industry. It’s time for businesses, ours included, to realise that things aren’t changing but they’ve already changed. The changes that we have made over the years within S-W-H are manifested in the roots of Indie.”

Creative Director and Founding Partner of S-W-H, Lode Schaeffer, says:
lode-schaeffer-founding-partner-ecd-indie“S-W-H was established in 1997. It doesn’t sound that long ago but, since then, we’ve seen exponential changes in the world around us, especially in the rise of new media. YouTube, camera-phones, TV on-demand, blogs, MP3, even Google didn’t exist back then, and now they are an everyday part of our lives. It’s a no-brainer that change has also occurred within our agency. Indie takes on board all of those changes and embraces them. We’re looking ahead to the not-yet-known.”

At the heart of Indie lies a belief in the power of independent thinking, of a collaborative hub approach which is driven by ideas. This mindset sees crucial functions and skills remaining in-house while a dynamic cast of external partnerships, with creative thought leaders in various disciplines, complete teams on a project-by-project basis.

Changes within the agency are already evident, with the appointment of three new partners – Anneke Schogt (Head of Account Services & Operations), Marcel Frensch (Creative Director) and Rogier Mahieu (Creative Director). The five-strong partnership is further supported with the arrival of Tim O’Kennedy, former MD at Weiden+Kennedy Amsterdam, as non-executive director.

Non-Executive Director, Tim O’Kennedy, adds:
“Let’s be clear – this is more than a name change or a new logo. The birth of Indie is in direct response to where we see the industry going. We’re getting ahead of the curve, leading the call for change in the way agencies partner with clients and conduct business. It’s a genuinely new day for a great agency.”

Indie’s new brand identity was created by The Stone Twins.

Comprising a core team of 42 individuals, Indie works on local and regional business for the likes of Nike, Domino’s Pizza, Belastingdienst, Bolletje, Eiffel, Leaf International (Truly), Sensoor, Simyo, Sportlife, Unive, and Wereld Hypotheek.

Check out the news on Brand Republic and Adformatie.

Pink Ribbon Magazine launches with help from Grey Amsterdam


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Grey Amsterdam has won the brief to launch new Sanoma Uitgevers title, 

Pink Ribbon Magazine.

 

Pink Ribbon Magazine is the agency’s first charity client.

 

The launch campaign, which airs end of September and includes TV, radio and print work, intends to draw attention to breast cancer in an authentic, human, positive and optimistic way. 08PinkLogo

 

Pink Ribbon Magazine is the magazine titled associated with the Pink Ribbon foundation, a worldwide concern which raises awareness for breast cancer, its prevention, early diagnosis and care.

 

Marlies Swart, Marketing Manager, Pink Ribbon Magazine, says:

“Breast cancer, and the battle against it, is something that unites all women, no matter who they are. Not only are all women potential sufferers, almost every woman knows somebody that has had, or is currently dealing with, breast cancer. In that sense, buying Pink Ribbon Magazine is a sign of solidarity. Grey Amsterdam gets that and we’re excited to be working with them.”

 

www.pinkribbon.nl

www.sanoma-uitgevers.nl

Smallest website in the world helps clients with shades of Grey


Grey Amsterdam has come up with a cunning plan to help it’s clients through a tough year - the launch of Grey Lite. grey_lite_screenshot_01_1

Grey Lite represents “extra-fast and extra-value services with the high quality standards that Grey’s clients have come to expect”. So says Hans van Avendonk, who is heading up the special new service at the agency. 

Take a look at www.greylite.nl to view a service so ‘lite’ you need a magnifying glass to see it.  grey_lite_screenshot_03_1

The advantages of Grey Lite? An efficient process, lower rates, quality control and a tailor-made menu based on a client’s most common types of assignments.

Hans van Avendonk goes on to say: “The service is designed for simple repetitive projects, such as adjusting the size of ads, packshot photography or adjustments to online banners. In short, the types of project for which no strategic advice or creativity is required.” grey_lite_screenshot_02_1