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DAY rolls out visual ID for Dream Amsterdam

DAY has rolled out a new visual identity for Dream Amsterdam, the annual city-specific public art event.day-logo

The on- and off-line visual presence for Dream Amsterdam, which includes billboards, website, email, posters, merchandise and postcards, was created by Creative Partner Gesina Roters, with Lotte Peters and Carolin Hermann (designers) and Fleur Bos (project manager).

Dream Amsterdam was established in 2007 by founding director and curator Jamain Brigitha. It is an annual opportunity for an internationally acclaimed artist to present non-traditional art in public areas, by using the city of Amsterdam as a source of inspiration, canvas, set and exhibition space. dream-amsterdam-logoThe work of Spencer Tunick, who uses naked people as part of his open-sir installations, launched the initiative, followed by Japanese artist Ryoji Ikeda in 2008. This year sees the work of acclaimed Danish visual artist Peter Funch culminate in an open air exhibition at Museumplein until 31 August.

Creative Partner, Gesina Roters, said:

“We started by defining the key ingredients of Dream Amsterdam, which is a platform for selected artists working in the public urban space. The concept is based on a starry sky depicting the outlines of the city, offering a backdrop to the work itself.”

Creative design partners, DAY, was established in 2006 by Dennis de Rond (Strategy Partner), Louk de Sevaux (Managing Partner) and Gesina Roters (Creative Partner). With offices in Amsterdam, Dubai and New York, the company combines creative thinking methods with brand strategy, interdisciplinary design and advertising as a key asset in business development.

A cross between management consultancy, brand consultancy, advertising agency and design bureau, DAY services international companies and markets, including Nike (new retail concept and pilot shop in Paris), Bugaboo (event concepts and interior design), Ziggo (full retail business strategy and model, including store design), Orange (brand strategy and adaptation across all consumer touch-points), and the Van Gogh Museum (retail concept and lobby design). From Dubai, DAY is the preferred supplier in all aspects of brand and management consultancy for the DAL Group, the largest privately owned company in the Sudan.

www.day.nu

http://www.dreamamsterdam.nl/

Van Gogh Museum appoints DAY for significant retail design

day-logoThe world renowned Van Gogh Museum on Amsterdam’s Museumplein has appointed Day Creative Business Partners for the design of its new lobby area and Museum Shop.

With more than 1.5 million visitors each year and home to the largest collection of Vincent van Gogh paintings in the world, the project, due for completion in September of this year, will be a high-visibility example of DAY’s creative business solutions and interdisciplinary design expertise.

DAY was established in 2006 by Dennis de Rond (Strategy Partner), Louk de Sevaux (Managing Partner) and Gesina Roters (Creative Partner). With offices in Amsterdam, Dubai and New York, the company combines creative thinking methods with brand strategy, interdisciplinary design and advertising as a key asset in business development.

Managing Partner, Louk de Sevaux, said:
“We worked with both the Van Gogh Museum and the Rijksmuseum in 2008 on the Museum Shop project, located on Museumplein. Based on our performance, the Van Gogh Museum brought us in to advise on internal retail design solutions. In line with the Museum’s first-class international renown, we’ve created an iconic, non-traditional design for both the shop and foyer.”

VGM logo diapositiefThe retail and interior design project for the Van Gogh Museum is headed up by Creative Partner Gesina Roters and Managing Partner Louk de Sevaux, with David Verburg (designer), Mette Hoekstra (interior design project leader) and Fleur Bos (project manager).

A cross between management consultancy, brand consultancy, advertising agency and design bureau, DAY services international companies and markets, including Nike (new retail concept and pilot shop in Paris), Bugaboo (event concepts and interior design), Orange (brand strategy and adaptation across all consumer touch-points), Ziggo (full retail business strategy and model, including store design), and the Van Gogh Museum. From Dubai, DAY is the preferred supplier in all aspects of brand and management consultancy for the DAL Group, the largest privately owned company in the Sudan.

Twitter kills off Jeff Goldblum

It seems that the celebosphere got its collective knickers in a twist when it was reported that Jeff Goldblum had followed Michael Jackson to the glitter-spangled VIP area in the sky.

The original checked and verified source of this news item? A tweet. Ah. So it must be true.

Stephen Colbert took no time in relating the power of Twitter to the uninitiated. With a little help from his dead mate Jeff.

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Indie’s giant beach towel makes a Cannes splash

It’s not all meetings, meetings, meetings at Cannes. There’s also a little time to kick back, soak up the sun and enjoy the beach. At least, that’s what Indie (formerly known as S-W-H) decided to do.4981_116200481473_608011473_2879927_5947921_n

Coming from Amsterdam, Indie doesn’t have a whole lot of opportunity to indulge in great weather - consequently, all those heat rays seem to have gone to the collective Indie head. How? In the shape of a 50 metre sq beach towel, that’s how.

Weighing in at 45 kilos, the collosus of the sands travelled down to Cannes in the back of the Jonge Honden (Young Dogs) bus and took a team effort to get it aligned just right on the beach.

4981_116200471473_608011473_2879926_3354391_nThere were plenty of takers ready to sit comfortably and ponder the Festival picks, including Poke’s Iain Tait. Was it here that he was hit by a stroke of pure genius, to get his mum involved in his seminar presentation? It was more than likely the bottles of chilled wine.

And the weather? Perfect. Except for Friday’s sudden rainstorm of 15 minutes duration, which managed to drench the towel in moments and turn it into a dead-weight unliftable beach accessory.

Tailor-made media tours

Grey Amsterdam took advantage of Cannes Lions week to meet with more than 15 publications from around the world, including magazines, news sites, newspapers, blogs and creative archives from the US, Canada, Australia, Sweden, Germany, the UK and France.

In a special project orchestrated by FinchFactor, managing ECDs Colin Lamberton and Seyoan Vela spent a full-on two and a half days sitting on the terrace of the Majestic Hotel, in a marathon ‘getting to know you’ session.

All parties, drinking, sunburn and sandcastles? FinchFactor made sure time was extremely well spent introducing Grey’s creative muscle to - amongst others - Creativity Magazine, The Reel, Best Ads on TV and Campaign Brief.

Nursing a hangover? A bacon butty breakfast with the International Herald Tribune will have to do the job, followed by a lot of water and ice-cold Cola under a sunbrella with Campaign, followed by Horizont, and Ad Age, and then Boards Magazine.

Of course, we made sure our Grey guys had a few parties plugged into the schedule too. They worked hard - they deserved a reward.

Amsterdam in Business

dsc09855Thursday afternoon in Cannes saw the Dutch step aboard the magnificent Clipper for a rallying meeting between head honchos from the City of Amsterdam and the creative industry alike.

The City’s Amsterdam in Business team do a lot of work to promote the benefits of Amsterdam as a European centre of excellence for the creative industry. Their encouragement of companies to join the creative business community in Amsterdam has recently won successes such as TAXI Europe and Eurobest.

The meeting on the Clipper saw inspirational addresses from the likes of Paul Lavoie (TAXI), Alex Melvin (180), Peggy Stein (Bureau Pindkaas) and Phil Thomas (Eurobest). dsc09857

It says a lot that representatives from these companies, as well as Grey Amsterdam, Indie, BSUR, Woedend, Amsterdam Worldwide and more, are all willing to spend time working together to share wins, encourage connections and discuss opportunities, rather than work in ivory towers. Yes, there is healthy competition, but there’s also a lot of business out there in the world - and no one agency can win all of it.

dsc09854Colin Lamberton and Seyoan Vela, managing ECDs at Grey Amsterdam, let it all go to their heads and thought they could take the boat home with them.

Indie Amsterdam takes home 2 Cannes Lions

indie-logoCongratulations to Indie Amsterdam, formerly known as S-W-H, who won two Cannes Lions just a couple of weeks after their rebirth into the new agency.

The Bronze gongs were secured on the strength of work for Sensoor (Interactive Film) and Domino’s Pizza (Radio).

Click on the links to see the work:

Sensoor: Bronze for Interactive Film
 
Domino’s Pizza: Bronze for Radio Campaign

Michael was mourned, Cannes Lions-style

Where were you when you heard that Michael Jackson was dead?

Me, I had my toes curled in the Cannes sands, at the Shots party. This was Thursday evening of the Cannes Lions week. Noone believed it, until Paul Kemp-Robertson from Contagious got on his iPhone and checked the BBC website.

Back...

Back...

Sad moment. A lot of disbelief. Was it a ghoulish PR stunt to sell more concert tickets? Would it win a Cannes PR Lion in 2010? A cynical lot, ad types.

Next evening and things are a little more festive, a little more MJ-celebratory. Especially in the Gutter Bar at 3am where one Brit sported the best t-shirt of the night.

Åsk Dabitch from Adland couldn’t help but point out the glory of an ‘88 Bad tour.

Serendipitous packing or did he know something in advance? We’ll never know.

... and front

... and front

Top creative talents have started Nothing in Amsterdam


nothing_04Michael Jansen and Bas Korsten, co-founders of Selmore, have opened new commercial creativity agency, Nothing, from a cardboard office.

Michael Jansen and Bas Korsten, highly awarded ex-DDB Executive Creative Directors and co-founders of Selmore, have officially started Nothing this week.

Nothing (www.nothingamsterdam.com) is an Amsterdam-based, independent entrepreneurial agency that delivers innovation and commercial creativity for local and international clients out of a cardboard box. Literally. The Nothing office, built entirely of cardboard, was designed by internationally recognized designers Alrik Koudenburg (concept & art-direction) and Joost van Bleiswijk (design & production) following van Bleiswijk’s ‘No Screw, No Glue’ technique.

Michael Jansen said:
“Nothing is about the power of ideas, about how a single idea can transform nothing into something. Using a cheap throw-away material to build a unique and memorable work space, seemed a good way to materialize this thought.nothing_10

Nothing’s goal is simple: turn consumers into brand advocates by any means to hand. This approach sees Jansen and Korsten creating meaningful brand experiences ranging from product innovation and store design, to employee training programmes and, yes, even TV campaigns.

Bas Korsten said:
“Technological innovation is developing at an amazing pace and so is the role of social persuasion, due to the wildfire growth of online social networks and blogs. At the same time traditional mass communication is being met with increased cynicism. This means that brand advocates are quickly becoming a brand’s most valuable asset”.nothing_15

Alongside Nothing is ‘Nothing Ventured’, the company’s in-house business concepts development arm. Nothing Ventured sees the likes of architects, industrial- and 3D- designers and online specialists come together to make their ideas happen. Current projects include an experiential measurement product, a web-based travel platform, an international webshop for young fashion designers and even a new sport, with all the accompanying commercial opportunities. These initiatives can be brought to market both as stand-alone ventures or to directly benefit clients.

nothing_20Australia-born Jansen (50) and Korsten (37) are one of the most successful creative teams in Europe, winning amongst others, the Eurobest Grand Prix and 11 Cannes Lions. They met in 1997 and became Executive Creative Directors (Board members) at DDB Amsterdam. They helped take the agency to ‘Agency of The Year’ status in 1999, 2001 and 2003 with pan-European clients including Volkswagen. In 2005 they co-founded Selmore with three partners and quickly gained a formidable list of clients including Unilever, Skoda Automobiles, Bavaria Brewery and Coca-Cola.nothing_23

www.nothingamsterdam.com
www.alrik.nl
www.projectjoost.com

Celebrated Dutch ad agency S-W-H becomes Indie in radical re-birth


indie-logoLeading Dutch ad agency S-W-H announces its re-launch today as newly-focused independent creative agency, Indie. The re-brand comes after 11 years, during which time S-W-H has proven itself to be one of the most respected, award-winning and successful agencies in Amsterdam.

Indie (www.indie-amsterdam.com) is launched at a high point in S-W-H’s history, which was named Agency of The Year in the Netherlands in 2008, recognising S-W-H’s creative talent and progressive campaigns.

The name Indie points to an independent status and an independent attitude towards creative concepts, one which embraces change, new opportunities, creative talent and the power of ideas. By looking at the fundamentals of clients’ needs, Indie’s intention is to create brand platforms focusing on creative and effective solutions without being restricted to any media channel.

Managing Partner, Mark Aink says:mark-aink-managing-partner-indie
“First instincts can sometimes lead businesses to seek what they know and try to maintain stability despite changes occurring within their industry. It’s time for businesses, ours included, to realise that things aren’t changing but they’ve already changed. The changes that we have made over the years within S-W-H are manifested in the roots of Indie.”

Creative Director and Founding Partner of S-W-H, Lode Schaeffer, says:
lode-schaeffer-founding-partner-ecd-indie“S-W-H was established in 1997. It doesn’t sound that long ago but, since then, we’ve seen exponential changes in the world around us, especially in the rise of new media. YouTube, camera-phones, TV on-demand, blogs, MP3, even Google didn’t exist back then, and now they are an everyday part of our lives. It’s a no-brainer that change has also occurred within our agency. Indie takes on board all of those changes and embraces them. We’re looking ahead to the not-yet-known.”

At the heart of Indie lies a belief in the power of independent thinking, of a collaborative hub approach which is driven by ideas. This mindset sees crucial functions and skills remaining in-house while a dynamic cast of external partnerships, with creative thought leaders in various disciplines, complete teams on a project-by-project basis.

Changes within the agency are already evident, with the appointment of three new partners – Anneke Schogt (Head of Account Services & Operations), Marcel Frensch (Creative Director) and Rogier Mahieu (Creative Director). The five-strong partnership is further supported with the arrival of Tim O’Kennedy, former MD at Weiden+Kennedy Amsterdam, as non-executive director.

Non-Executive Director, Tim O’Kennedy, adds:
“Let’s be clear – this is more than a name change or a new logo. The birth of Indie is in direct response to where we see the industry going. We’re getting ahead of the curve, leading the call for change in the way agencies partner with clients and conduct business. It’s a genuinely new day for a great agency.”

Indie’s new brand identity was created by The Stone Twins.

Comprising a core team of 42 individuals, Indie works on local and regional business for the likes of Nike, Domino’s Pizza, Belastingdienst, Bolletje, Eiffel, Leaf International (Truly), Sensoor, Simyo, Sportlife, Unive, and Wereld Hypotheek.

Check out the news on Brand Republic and Adformatie.