Archive for September, 2009

Rankin and Palmer focus on breasts for Pink Ribbon Magazine

Grey Amsterdam’s campaign for Pink Ribbon Magazine (NL) launches this month, with magazine print work by celebrated photographer Rankin, and a TV commercial by Gorgeous Productions’ Chris Palmer.
 
Pink Ribbon Magazine NL, published by Sanoma Publishers, is a charity glossy magazine from which all profits are directly donated to the Pink Ribbon Foundation, Netherlands.
 071Everyone involved has donated their time free because it’s for breast cancer awareness. The campaign is created by Pieter van den Heuvel and Ecco Vos.  

Executive Creative Director Seyoan Vela, says:

“Everybody knows breast cancer is dangerous, that it should be taken seriously, that therapy and research need funding. Breast cancer, and the battle against it, is something that unites all women, no matter where they are from, how rich or poor or what culture.

Not only are all women potential victims, also almost all women know somebody that has had breast cancer or is currently dealing with it. In that sense, buying Pink Ribbon Magazine is a sign of solidarity.”
 
To see the print work, click here.

Grey Amsterdam has taken a new way of looking at the issue, through the eyes of uk photographer Rankin. The magazine print work sees three executions - each with the breasts of a model, either young, middle-aged, or older. A celebratory and poignant poem is written across the body, about the breasts. The breasts are seen as a pair of friends, with names, who should never be parted.10

The TV campaign is directed by Chris Palmer of Gorgeous Productions. A call was put out throughout the Netherlands, asking for women of any age to volunteer their services in the tv spot. More than 1000 women, aged 16-72, volunteered to be part of the shoot and show their breasts.

Click here to view the TV spot.

DAY Amsterdam designs Europe’s first Nike Sportswear store, Paris

day-logo1DAY in Amsterdam has designed the first Nike Sportswear store in Europe. The store, opened in Paris this month, is the first of a series throughout Europe launched by Nike Sportswear, a new division of Nike.

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The new Nike Sportswear collection is based on timeless sports apparel and shoes, with a brand identity which includes images of classic gyms, well-used equipment, and urban environments. DAY’s brief was to push the existing US conceptual retail style further, using the location – an old bookstore in the heart of Paris’ Le Marais district – to influence the concept.

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Creative Partner, Gesina Roters, said:

“The heritage of the building itself directly influenced the concept development. The store had been left closed but intact for more than 40 years, so we were able to use traces of wear and tear - such as the floor, which had been repaired but not restored - to our advantage. The result is a store which balances heritage with a modern contemporary twist in sports performance.”

 

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As the first of its kind in Europe, the store is a high-visibility example of DAY’s creative business solutions and interdisciplinary design expertise.

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The retail and interior design concept for Nike EMEA is headed up by Creative Partner Gesina Roters and Managing Partner Louk de Sevaux, with Mette Hoekstra (design).days-nike-sportswear-store-paris-5

FinchFactor’s article this week on You Ad Daily: ‘Compromise- It’s A Killer’

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Compromise - It’s A Killer

We’re all aware that this is a difficult time for the ad industry right now. Most of us are suffering from client cutbacks in one shape or another- and it doesn’t look like the light at the end of the tunnel is guiding our way out of the financial darkness just yet.

So now would be a silly time to turn down business, right? We’ve got staff to feed, bills to pay, lifestyles to lead, and any money that goes towards cat kibble or replacing those dud light-bulbs in the agency foyer is money well earned. After all, that Cup-A-Soup dispenser doesn’t replenish itself. And there’s a new kit needed for the agency football team. Right?

Seems to me, it’s a question of compromise. Of walking a safe route between financial collapse on the one hand and a damaged or mismanaged reputation on the other (which could well lead to financial collapse in the longer term anyway). This giddy tightrope walk can feel as precarious a journey as that performed between the Twin Towers by Philippe Petit in ‘Man On Wire’: one false step and there’s no net to catch you should you fall. And everybody’s watching.

Compromise - it’s a killer.

Let’s say a current client wants you to work on a new project. Okay, it may not be stellar, or creatively challenging, or potentially award-winning, or play to your strengths even, but you are inclined to accept. You have a relationship with this client and the business acquisition involved was minimal. Ker-ching, money in the bank. But what happens when a potential new client, perhaps one you aren’t that excited about, offers you the chance to pitch for a piece of business? A project which will take up precious resources during the pitch process and do nothing to progress your creative output. Or stimulate the team. Or, let’s be honest, provide so very much bang for buck.

Turning down business in this ‘beggars can’t be choosers’ market- refusing to accept any job at any price - can require supreme confidence and the courage of your convictions. Holding out for those clients, or projects, which will further your business and develop your team involves a quality control mechanism which goes a long way to managing your reputation. And let’s be honest: not every agency has an in-built shock-proof shit detector. A creatively-led company? Too much ‘vanilla’ advertising and people start to notice - not least your staff. You can’t sit on your laurels forever.

Of course, accepting new business wherever if falls from the tree means, generally speaking, better financial security- a stocking up of the food larder against even more frugal times. No one wants to let staff go. Or cancel the Friday biscuits in a cost-cutting exercise. But consider the signals you are sending out, both internally and externally. How does an agency maintain its reputation for premium work if it is perceived to be spreading its reputation thin on inferior projects?

I suggest you develop nerves of steel, the balance of an acrobat on the high wire, and an expression a Las Vegas card shark would be proud of. I’m off to practice my Poker face.

Twitter action pays off with new client for FinchFactor

This week sees FinchFactor winning a new client through the social media power of Twitter. The Reel’s weekly newsletter of industry soundbites tells us how.

The Reel Newsletter

 A Finch who tweets!


Know anyone who’s got work through a Twitter referral? We do! Top notch Amsterdam-based queen of PR Kerrie Finch won herself a client though her uncanny knack at being brilliant in under 140 characters. In her own words: ‘Burt, sister company to Daddy (now CP+B Europe) tweeted they were looking for PR, someone I didn’t know responded they should contact FinchFactor - they did. And now I’m working with them. All that tweeting has paid off!’

http://finchfactor.com/

If you don’t already follow the lady herself on the tweetdeck, get involved - @FinchFactor. Not only are you guaranteed nuggets of ‘Dam based info, but you’ll also be privy to chucksome minecdotes. Plus she says we’re good at karaoke – so we love her!

First in a new series of articles for Dutch ad industry news site, You Ad Daily

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Made redundant, let go, downsized, fired, surplus to requirements, no longer needed, on gardening duty, laid off, cut. It all comes down to the same thing: you’re out of work. Welcome to the world.

In Dutch, there’s just one term for it - ontslagen - but to a Brit, there are subtleties at play not to be messed with. You were laid off, made redundant? That sucks, but take heart my friend, it’s strictly business. You’ve been fired? It’s your fault. You either fiddled the books, stole something noticeable like a photocopier, or you were really rubbish at your job (I just can’t believe you lasted this long).

Over the years I’ve been the innocent bystander in a number of cost-cutting exercises; once I even deserved it (I was a young career pup and didn’t know any better). The first time? London 1997, a brand experience agency specialized in the toy industry. I was caught in the crossfire between one business partner who’d just given birth to her third child, and was leaning a little too heavily on the vodka, and business partner 2 (that husband of hers).

He was a micro-manager par excellence and former Navy SEAL who treated every project like a covert operation for the Special Forces. Damn they were good. However, due to this, that and the other, they’d had to ‘let me go’. Frankly it was a relief. That company taught me two valuable lessons, though: never work with a pregnant husband and wife partnership; and, don’t take it personally. Unless, of course, it’s personal.

There’s the time the digital agency moved lock, stock & barrel back to Sweden (“We’re relocating. No, we can’t take you with us”.) I once got locked out of a Consumer Tech agency’s computer system after a company meeting (“If your password is blocked, then sadly, we’ve had to let you go”). And, more recently, I was told: “We just can’t afford to keep you on, but let’s keep it hush-hush for now”. This, whilst sitting in a glass-walled goldfish bowl of an office, smack in the centre of a glass-walled open-plan floor, perched at an elevated table on tall stools. After having been summoned to the meeting over the internal speaker system. Sure. Keep it on the down-low. Right.

It’s happened before and it’ll happen again.

These are turbulent times, where belt-tightening is required and there’s no shame in a company facing a harsh reality - ‘the clients have cut back, so must we’. It’s tough all round. Unfortunately, too often the cutting back is done without grace or regard for reputation management. Of course, sometimes we’ve just got to take it on the chin. But I’ve heard too many stories of employees feeling let down, disrespected, appalled at the way their former employer has handled the exit policy (if there even is one), that last ‘I’m sorry but’ conversation. An agency may have enjoyed eight strong years of loyal service from Account Director X, but, like breaking a mirror, one final slip-up and you could be left with smashed glass at your feet, bloody scratches and seven years bad luck.

Reputation is everything. The quickest, strongest way to build it is word of mouth. And break it too. Your people are your ambassadors. Whether working in the local market or internationally-focused, Amsterdam’s creative industry is a small incestuous pool: we splash around, getting our feet wet, often jumping from one boat to another, seemingly regardless as to whether it’s the Goodship 180, HMS Indie or the Water TAXI.

 And as we go, we’re talking all the way.

Think about the number of people freelancing these days, or looking for a new position. As they go from one place to another, interviewing, meeting people, they are storytelling. And if the last experience was inglorious and undignified, those war stories can get ugly. No matter how long they worked for you and how happy the relationship had been.

 

Read more at http://www.youaddaily.com